The book is designed for Fieldoffice, a Taiwanese architecture group, and it conveys poetic language through its layout, flow arrangement, and a combination of randomness and prudence that reflect the gesture found in their works.

The text's layout and visual aesthetics are clean and neat, allowing the positions of the text to form invisible lines. The layouts are interconnected, creating a sense of tension, neatness, and whitespace. While reading, the absence of a chronological framework means there are no constraints.

The book catches conceptual form as the demarcation of chapters. Readers are not restricted by sequential constraints in the process of reading. While the arrangement by space of the work collection is connected with each other, which makes readers perceive it as fluent, agile, and unconstrained.

This book breaks away from the traditional framework of architectural portfolios in its design. From the cover to the content, it presents a new reading way within a specific category in the field.